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Still Hunt
Volková, Klára ; Zet, Martin (referee) ; Klodová, Lenka (advisor)
Annotation 1. Introduction to the environment of rural cemeteries. 2. The Watching most visited graves. 3. The establishing most visited gravis. 4. Getting to know the fate of the dead. 5. The working with photos borrowed from survivors. 6. The controversy over the intimacy and generalization of the cemetery as a place of final rest and prepare for oblivion.
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The mourning ceremony Hall Lisen
Chytková, Alžběta ; Marek, Jiří (referee) ; Šindlar, Jiljí (advisor) ; Pěnčík, Jan (advisor)
The aim of this project was to create a dignified place for The last farewell extending current cemetery in Brno Líšeň. The whole design takes in mind a grim situation of the visitors and mostly to right working of layout. The building is placed on the new axis on the northern cemetery border. The long pathway before the hall should bring to mind our journey in the life and big window in the funeral hall refers to infinity after the death. Building itself is made of two volumes. First of them is simple block with affiliated spaces and second one is a ceremony hall itself, which rises towards Marianské údolí. Technical service room is in the basement. The building is aimed to incorporation of the nature and material simplicity.
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The thematic map of the cemetery in Brankovice
Žižlavská, Tereza ; Blahynka, Jiří (referee) ; Foral, Jakub (advisor)
The aim of this bachelor thesis is a survey of the cemetery in Brankovice for creating thematic map, ground plans and sectional plans of the church. The first part includes preparatory work, the choice of the best variant of surveying network and survey fieldwork. The following is data processing. The main output is the thematic map of the cemetery in scale of 1:200.
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New Church in Krhova
Ječmen, Marek ; Štěpán, Marek (referee) ; Mléčka, Jan (advisor)
The subject of this thesis is design the new building of Catholic church which is connected to current cemetery in the village of Krhová near Valasske Mezirici. The idea is to give the community building, which from historical point of view has always been the most important building. The building, which represents the permanent values. The church and cemetery are composed as horizontal cemetery wall, from which a simple vertical form of the church that towers above the village.
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The mourning ceremony Hall Lisen
Kaliariková, Beáta ; Hrabec, Josef (referee) ; Šindlar, Jiljí (advisor) ; Pěnčík, Jan (advisor)
The theme of the project was to design a new mourning hall. The building is extending the cemetery that already exists and is situated on neighbouring plot. The new building is supposed to extend the possibilities and capacities of the cemetery. The plot is delimited by the street Šimáčkova. It is surrounded by groungs and the edge of forest from the other sides. There are no buidlings on the plot. It is green and includes green vegetation. The new building is supposed to offer space where mourning ceremonies and related functions like organisation and preparation of funeral could take place. Apart from the building the project contains also planned extension of cemetery area. The capacity of graves will be increased and extended by columbaria which will be situated around shelter for meditation. The new parking area will be created for visitors of ceremonies and cemetery. The building is situated in a back part of plot. Besides the access pavements also service roads will be created for employees and funeral car. Individual parts will be separated by leaf green so that they will not interrupt each other. My intention in the solution of form was to accentuate the space of the mourning hall. This part of building is higher than other side parts which are meant to be used as service parts.The solution is emphasized by lengthened monolith walls. The building has only one floor and the roof is flat. It is positioned at one level. The ground plan is irregular and created from rectangular shapes.
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Projective space
Štuříková, Blanka ; Zein, Lynda (referee) ; Kristek, Jan (advisor)
The design of the cemetery is based on the findings of the project Projective Space, which analyzes the memories of individuals of their spatial experiences that evoked emotions. Spatial collage as a method of creating an environment which, due to its ambiguity, allows individual interpretation by an individual person and evokes memories, is applied to the design of a cemetery for human composting. After the complete transformation of human remains into fertile land, the grave becomes useless. The dead lose their posthumous address. From a cultural point of view, however, the ritual of burial and the symbolic, mental value of the cemetery play an important role for the relatives in coping with the loss of their beloved. The design works with the culturally conditioned idea of the cemetery as an image of the world. With the disappearance of tombstones and urns, we abandon the concept of a cemetery - the city of the dead and reinterpret it as a cemetery - a landscape made of the dead. Remains in the form of fertile soil become material for modeling of the biodiverse terrain of the cultural landscape, a place that resonates with life.
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3D model of selected object
Ptáček, Pavel ; Vacková, Eva (referee) ; Bartoněk, Dalibor (advisor)
The objective of this diploma thesis is creating digital 3D model of Dolní morový hřbitov in Žďár nad Sázavou. The building is measured primarily by classical geodetic methods. The final appearance of the model is created in AutoCAD 2015. Complementary are presented additional possibilities for creating digital models of building objects and their associated advantages and disadvantages. Much attention is paid to the photogrammetric method based on correlation of images, and work with the program 123D Catch and Cinema 4D.
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The mourning ceremony Hall Lisen
Žaludová, Kristýna ; Hrabec, Josef (referee) ; Šindlar, Jiljí (advisor) ; Pěnčík, Jan (advisor)
The new building of the Mourning Hall Lisen is located on a slightly sloping plot in the Brno-Lisen district. The concept of the plot’s layout fluently connects to the operation of the current cemetery. The unbuilt part will serve as the new cemetery with areas for standard burying to the ground, columbaria, a scattering garden, but also areas for non-traditional burying such as Bios Urn (after cremation, the ashes are placed into a special urn with a tree seed, which is put in the ground – the life of the deceased one thus symbolically continues in the plant). The tree motif pervades the whole building: it is present on the foregrounded façade through perforated aluminium panels, and it is used on the rounded wall in the interior entrance hall, on the door decoration and on subtle interior elements. The whole building is designed as a convergence of three masses. The operation part (technical facilities, employees’ facilities and survivors’ facilities) has an L-shaped ground plan and is the lowest mass of the object; the ceremonial hall is comprised of an exceeded block. The catafalque is emphasized by a glass-topped tube in the north-western part of the hall.
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